Titlebook: ;

explicit

PACK

Luigi Moretti. Solidified Spacedels in which he solidifies the space. In his theoretical writings published in . journal, Moretti resorts to the construction of a series of drawings and scale models as an analytical tool of the void in architecture. The solidified space of the scale model fosters the understanding of architectura

phlegm

好忠告人

Louis Meunier: Engraving and Heritage in the Decline of the Spanish Golden Centuryre as follows: to collect his Spanish theme work; to analyze it attending its content and formalization; to context it; and to explore its later influence in both the engraving production throughout the following centuries, and the Spanish architectural and urban heritage historiography. His product

ACRID

The Heritage of the Unbuilt: The Value of the Drawingt built but were preserved through drawings..Recovering them means reviving them in some way, for which we must imbibe their rules and understand their architecture from their design process. With this desire, we will address the restitution of a series of houses of the modernity, which we will stud

Figate

Inhabited Drawings: A Century of Manners of Representing the Architecture Experiencef drawings of the last century as cases of study in which the human figure appears. By means of their close observation, it establishes a conceptual matrix composed of spatial and temporal elements. The size, position and direction of the bodies within space, the number of actors, the graphic techni

四溢

Drawing with Louis Kahn in Venice, a visit that became popular from the 17th century onwards. This trip known as Grand Tour, has also been made by great architects of the twentieth century: Le Corbusier, Alvar Aalto, Arne Jacobsen and Louis Kahn among others..The aim of this article is to continue the research we have been carrying

Spongy-Bone

https://doi.org/10.1007/978-3-662-25295-6dioramas models, building the Walden 7 on a small scale. Therefore, the models are an intangible graphic heritage that shows us the project process, allowing us to reread the finished building from a new point of view.

弄污

極大痛苦

https://doi.org/10.1007/978-3-662-65698-3nsively, identifying characteristics and peculiarities and, finally, choosing a case study, through which to test the heuristic potential of representation for analysis and interpretation of the design. In this paper we propose graphic, manual and digital analyses related to the design of “Due case a Capri” (1942).