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Titlebook: Gothic Romanticism; Wordsworth, Architec Tom Duggett Book 2022Latest edition The Editor(s) (if applicable) and The Author(s), under exclusi

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發(fā)表于 2025-3-23 10:56:58 | 只看該作者
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發(fā)表于 2025-3-23 17:09:33 | 只看該作者
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發(fā)表于 2025-3-23 19:26:53 | 只看該作者
Tom DuggettDevelops parallels of transmission between the Lake Poets and Gothic Victorian authors.Contributes to the emerging area of law and literature.Brings Wordsworth into focus as a key influence of the Got
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發(fā)表于 2025-3-23 22:34:40 | 只看該作者
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發(fā)表于 2025-3-24 05:44:35 | 只看該作者
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發(fā)表于 2025-3-24 14:34:57 | 只看該作者
Use and Misuse of Productivity Ratios,m in the early 1790s. The poem develops a connection between ancient acts of murder and what Wordsworth later called modern Britain’s “wars … against liberty,” giving dramatic expression to Wordsworth’s increasing awareness of threats to conventional notions of cultural and political Englishness, in
18#
發(fā)表于 2025-3-24 17:03:25 | 只看該作者
Konzeption der empirischen Untersuchung,Portugal during the Peninsular War. In ., I argue, Wordsworth adumbrates a “Gothic” politics that mediates between his past radical and his future loyalist political sympathies. The chapter begins with an account of how the Peninsular War came to be conceived in specifically “Gothic” terms by Wordsw
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發(fā)表于 2025-3-24 21:14:22 | 只看該作者
https://doi.org/10.1007/978-1-349-03051-4on the representation and continuation of that debate in the “something of a dramatic form” of Wordsworth’s . (1814). I argue that the Lake Poets’ advocacy of Andrew Bell’s “Madras” system of pupil-tuition shows their “progressive Gothic politics” in action, connecting Wordsworth’s reactions to Bell
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發(fā)表于 2025-3-25 02:41:50 | 只看該作者
Systemumfeld von Management Support Systemenection between visual technologies such as the panorama and diorama and “Gothic” subjectivity in the Romantic period. I discuss texts including . (1815), sonnets from . (1820), “Composed upon Westminster Bridge,” and the . (1810–35). Reflecting back on the visual register of previous chapters, I arg
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