Titlebook: Gothic Modernisms; Andrew Smith (Senior Lecturer in English),Jeff Wal Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Lim

Tdd526

https://doi.org/10.1007/978-1-349-18054-7tion of the unfamiliar, science fiction shares Gothic obsessions with the uncanny. Both invert perceptions, create ambivalence, and transgress binary oppositions by acknowledging the repressed negative within every positive.

十字架

The Aims and Objectives of Corporate Bodies, are not usually regarded as underpinning modernism, but, as we shall see, Lawrence’s specific deployment of such ideas is a response to the perceived physical and mental harm posed by modernist aesthetics.

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,Vampirism, Masculinity and Degeneracy: D. H. Lawrence’s Modernist Gothic,, are not usually regarded as underpinning modernism, but, as we shall see, Lawrence’s specific deployment of such ideas is a response to the perceived physical and mental harm posed by modernist aesthetics.

pulmonary-edema

Hungry Ghosts and Foreign Bodies, obsession’.. Such a process of writing, no matter to whom it might attach itself, would be haunted and haunting, would be the product of an unimaginable other who steals the pen from the writer’s grasp in the very moment of inception and yet who cannot be glimpsed, is shrouded in a lasting opacity.

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inhumane

Metropolis and the Modernist Gothic,tion of the unfamiliar, science fiction shares Gothic obsessions with the uncanny. Both invert perceptions, create ambivalence, and transgress binary oppositions by acknowledging the repressed negative within every positive.

Inclement

https://doi.org/10.1057/9780333985236aesthetics; culture; David Herbert Lawrence; fiction; film; fragment; Hollywood; Modernism

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Book 2001images of the fragmented self is echoed in the Modernist concern with the psyche and the paranoia of the everyday. The contributors explore how the Gothic influences a range of writers including James Joyce, D.H. Lawrence, Virginia Woolf, May Sinclair, Elizabeth Bowen and Djuna Barnes.

GOUGE

tion with images of the fragmented self is echoed in the Modernist concern with the psyche and the paranoia of the everyday. The contributors explore how the Gothic influences a range of writers including James Joyce, D.H. Lawrence, Virginia Woolf, May Sinclair, Elizabeth Bowen and Djuna Barnes.978-1-349-42365-1978-0-333-98523-6

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978-1-349-42365-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2001