Titlebook: Gothic Hauntings; Melancholy Crypts an Christine Berthin Book 2010 Palgrave Macmillan, a division of Macmillan Publishers Limited 2010 disc

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Gothic as Poetics,ould matter more than the actual message. Reshuffling the cards, we would be struck by the fact that this counterworld is in fact very similar to our post-Freudian world, as if psychoanalysis had acted out the scenario envisaged here as a mere figment of a literary critic’s imagination. The Gothic i

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Francis Borceux,Dominique Bournbetween literature, psychoanalysis and critical thinking as the crux of our modernity. More than a theme, haunting is part of the processes of literature and textuality, and ghosts have become theoretical objects. The purpose of this book is to explore, through the Gothic tradition, this shift from

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https://doi.org/10.1057/9781137295088ural identity but also the repressed of his culture. That a subject is shaped by the desires and the unconscious of those who, like the parents in the first place, nourish and determine his sense of self through identification and projection is a key intuition at the core of the work of French psych

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Discourse and Its Other: The Figural and the Real,in order to signify: the world, the body and the density of matter. In a culture of the written page, how can we have access to the “words of the other,” to what ordinary communication and signification leave behind? Reading for haunting is reading for the remainder.

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,Mammographische Ger?tetechnik,tter and transcriber, is condemned to be the voice of another. Displacement is at the core of textuality, as both reader and writer are the unsuspected vehicles of unknown messages. Haunting is the form of all textuality.