Titlebook: Global Cultures of Contestation; Mobility, Sustainabi Esther Peeren,Robin Celikates,Thomas Poell Book 2018 The Editor(s) (if applicable) an

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Biopolitical and Phenomenological Underpinnings of Embodied Contestation: Further Reflections on Cr ., underpin a notion of embodied contestation that I develop in . (2016). I identify two modalities of revolutionary activism, reflecting entangled modalities of contestation in which the human body takes a central place. The first, “Burning Man,” is a radical, biopolitical mode of contestation in

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The Internet as a Global/Local Site of Contestation: The Case of Iran,n countries with a virtually closed political arena. It takes Iran as an exemplary case for the study of the technology-related protest cultures that have emerged at the fringes of a heavily controlled cyberspace. We compare the widespread use of the microblogging platform Twitter and the chat appli

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Disruption or Transformation? Australian Policymaking in the Face of Indigenous Contestation,ontestation. This chapter explores the promise and the pitfalls of social media for First Nations protest in Australia. Overall, we find new opportunities for disruption and ongoing challenges with regard to significant social and political transformation. The argument is illustrated with two exempl

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Erehwon: A Digital Platform for Empowering Sociopolitical Interventions in Public Space,nnecting and supporting communities of people who initiate sociopolitical interventions in public space. The platform consists of an interactive cartography of these types of projects, co-designed through a series of workshops with different communities of interest in a way that offers to their proj

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2730-9282 ese protest movements is examined, but also their tendency to connect and influence each other, as well as the central, often ambiguous role global digital platforms play in this.?.978-3-319-87689-4978-3-319-63982-6Series ISSN 2730-9282 Series E-ISSN 2730-9290

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Introduction: Global Cultures of Contestation,, and to what extent are the protests themselves sustainable? (3) What are the aesthetics of contemporary protest movements? (4) How do connective platforms facilitate today’s protests and shape their focus and dynamics?