找回密碼
 To register

QQ登錄

只需一步,快速開(kāi)始

掃一掃,訪(fǎng)問(wèn)微社區(qū)

打印 上一主題 下一主題

Titlebook: Gilles Deleuze and Film Criticism; Philosophy, Theory, Dominic Lash,Hoi Lun Law Book 2023 The Editor(s) (if applicable) and The Author(s),

[復(fù)制鏈接]
樓主: GLOAT
11#
發(fā)表于 2025-3-23 12:59:44 | 只看該作者
12#
發(fā)表于 2025-3-23 15:09:47 | 只看該作者
https://doi.org/10.1007/978-3-642-90991-7n?.—is composed of multiple, intersecting layers. Finally, Deleuze claims that spectacle in Fellini’s films is not opposed to the real or true but is instead what the real is composed of. As Deleuze puts it, in Fellini ‘The spectacle becomes universal’.
13#
發(fā)表于 2025-3-23 21:44:55 | 只看該作者
Hans-Jürgen Frank-Schmidt,Emil Heinz Grault Deleuze’s readings of . beautifully exemplify some of the philosopher’s central ideas both about film and about human agency, while also pointing towards some significant challenges that might be raised against them.
14#
發(fā)表于 2025-3-24 00:33:01 | 只看該作者
What Does Deleuze Do When He Does Film Criticism? unique cinematographic ideas invented by filmmakers. This chapter explores what the concept of the cinematographic idea, central to Deleuze’s conception of the aesthetic possibilities of film, can tell us about his practice as a film critic and, by doing so, probes what his work can teach us about film criticism.
15#
發(fā)表于 2025-3-24 05:47:52 | 只看該作者
Gilles Deleuze and the Company of Critics: On Kubrick, Time, and Cinemahey see as (in different ways) the possibilities of cinema as engaged in modes of thought and thinking. Drawing out this affinity also places Deleuze within a contemporary cluster of trans-Atlantic critics who were exploring the ways that cinema carves out and creates modes of temporality.
16#
發(fā)表于 2025-3-24 07:47:33 | 只看該作者
“Something Possible, Otherwise I Will Suffocate”: A Marginal Reading of Chapter 7, Section 2 of Deleus movements, tensions, and sparks of thought when faced with the unthinkability of belief in an age of post-traumatic nihilism. Facsimiles of the author’s coded marginalia in dialogue/conflict with Deleuze’s troubled text are the basis for analyses of films which Deleuze, it would appear, is compelled to leave in an embryonic state.
17#
發(fā)表于 2025-3-24 13:57:05 | 只看該作者
18#
發(fā)表于 2025-3-24 15:37:08 | 只看該作者
Hypnosis-Images: Indiscernibility and Hypnotic Agency in Gilles Deleuze’s t Deleuze’s readings of . beautifully exemplify some of the philosopher’s central ideas both about film and about human agency, while also pointing towards some significant challenges that might be raised against them.
19#
發(fā)表于 2025-3-24 22:47:52 | 只看該作者
20#
發(fā)表于 2025-3-25 02:16:32 | 只看該作者
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛(ài)論文網(wǎng) 大講堂 北京大學(xué) Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點(diǎn)評(píng) 投稿經(jīng)驗(yàn)總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學(xué) Yale Uni. Stanford Uni.
QQ|Archiver|手機(jī)版|小黑屋| 派博傳思國(guó)際 ( 京公網(wǎng)安備110108008328) GMT+8, 2025-10-10 00:52
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復(fù) 返回頂部 返回列表
宁陕县| 天祝| 宾阳县| 垫江县| 泸州市| 莒南县| 巴彦淖尔市| 八宿县| 甘洛县| 平阳县| 锡林郭勒盟| 恩施市| 会泽县| SHOW| 吴江市| 浦江县| 三门县| 凤凰县| 本溪市| 新昌县| 桐柏县| 寿宁县| 阿拉善右旗| 山东省| 三明市| 涟源市| 台湾省| 扎囊县| 合肥市| 界首市| 隆尧县| 涞水县| 河曲县| 安新县| 秭归县| 隆安县| 瑞金市| 凌海市| 柳江县| 金坛市| 无极县|