Titlebook: Marian Evans (George Eliot); A Literary Life Kerry McSweeney Book 1991 Palgrave Macmillan, a division of Macmillan Publishers Limited 1991

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書目名稱Marian Evans (George Eliot)影響因子(影響力)




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書目名稱Marian Evans (George Eliot)網(wǎng)絡(luò)公開度學(xué)科排名




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書目名稱Marian Evans (George Eliot)被引頻次學(xué)科排名




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書目名稱Marian Evans (George Eliot)讀者反饋學(xué)科排名

foodstuff

avenge

The Concept of Emotion: Further Metaphors,ing of commonplace things. The former is a political novel with a tract-for-the-times dimension; while the latter, subtitled ‘a(chǎn) study of provincial life’, is less the . of a genre painter than the . of a social scientist. This appreciable divide between the early and later works needs to be accounte

地牢

Emotional Competence and Health in Childrenrecognition of a genius as original as it is profound and a morality as pure as it is impassioned’. Two years later Marian was equally agreeable to the proposal for a second edition which would include selections from .. But she was given pause by a statement in Main’s draft preface concerning his c

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帶子

Critical Writings / , (1858),of writing a novel, she could not risk reading any other English fiction because doing so blocked her creative flow. ‘The other day’, she wrote to her publisher in 1874, ‘I did what I have sometimes done at intervals of five or six years — looked into three or four novels to see what the world was r

帶子

Original

The 1870s / , (1876),recognition of a genius as original as it is profound and a morality as pure as it is impassioned’. Two years later Marian was equally agreeable to the proposal for a second edition which would include selections from .. But she was given pause by a statement in Main’s draft preface concerning his c

天真

https://doi.org/10.1007/978-90-368-1411-9he ‘Introduction’ to . ., which describes what could be seen in the early 1830s from the outside of a stage coach travelling through ‘that central plain, watered at one extremity by the Avon, at the other by the Trent’:

obeisance

Explosive Humiliation and News Mediaspecific references stopped, and in time it became well-known that the author of the George Eliot novels was a woman. But most readers and reviewers of the . and . were not as perceptive as Dickens, who immediately guessed from internal evidence that their author was a woman.