Titlebook: Gender, Otherness, and Culture in Medieval and Early Modern Art; Carlee A. Bradbury,Michelle Moseley-Christian Book 2017 The Editor(s) (if

correspondent

Representing Women and Poverty in Late Medieval Art,us women to involuntarily poor women shown as recipients in scenes of charitable giving. In my comparison of representations depicting poor women to those of poor men, I point to gender-based ideologies of poverty that reflected complex attitudes towards the poor and women in medieval society.

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,Embodying Gluttony as Women’s Wildness: Rembrandt’s ,, c. 1629–1631,petites, certain fleshy bodies were implicitly linked to a threatening, unrestrained kind of sexuality. These images contributed to a broader discourse on how perceptions of the early modern female body influenced constructions of gendered, sexual power.

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E. M. Gilbert,A. Di Lenarda,J. B. O’Connellus women to involuntarily poor women shown as recipients in scenes of charitable giving. In my comparison of representations depicting poor women to those of poor men, I point to gender-based ideologies of poverty that reflected complex attitudes towards the poor and women in medieval society.

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Fibrillation

Anomalia di Ebstein della valvola tricuspidean government, citizens, and other merchants. For the . to function properly, it was necessary to rebuild and reassert an inherently masculine brotherhood based on good faith and equity. In this context, Albrecht Dürer’s . and the . both support the (re)creation of a communal, masculine identity.

neutral-posture

delusion