Titlebook: Gender Inequality in Screenwriting Work; Natalie Wreyford Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 women.film.creati

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Ethereum: A Gateway to Cryptocurrency,he particular characteristics of screenwriting and its intersection with motherhood, this chapter demonstrates that the characteristics of creative labour are as problematic as they may appear liberating for those with childcare responsibilities.

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Audil Rashid Khaki,Omar Ali,Somar Al-Mohamadscreenwriters for their lack of success. When women screenwriters have success, it is frequently ignored or written off as anomaly, and women are seen as successful only when they write films for men.

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Introduction: The Extent of Gender Inequality in Film Screenwriting Work,nwriters and their employers, this book casts a spotlight on the missing women and reveals that investigating the reasons for their absence can tell us much about the complex interlinking of gender and creative work.

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Gendering the Screenwriter,ive work being done in the talk of film workers reveals that some discourses on screenwriting work are more readily acknowledged than others. To explain this, progress narratives that insist ‘things are getting better’ are unpacked to show how talk actually upholds gender inequality.

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Gender, Capital, and Getting In,ined by this reliance on embodied capital, are disarticulated in favour of a more accepted narrative of class discrimination, making it difficult for women to recognize or speak about, let alone overcome, gendered barriers.

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The Impact of Motherhood on Screenwriters,he particular characteristics of screenwriting and its intersection with motherhood, this chapter demonstrates that the characteristics of creative labour are as problematic as they may appear liberating for those with childcare responsibilities.

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Book 2018hidden labour market of the UK film industry, built on personal connections, homophily and the myth of meritocracy. It is essential reading for students and scholars of gender, creative industries, film and cultural studies, as well as anyone who wants to understand why women remain excluded from many key roles in filmmaking..

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