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Titlebook: Gatekeeping in the Evolving Business of Independent Film Distribution; Roderik Smits Book 2019 The Editor(s) (if applicable) and The Autho

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樓主: detumescence
11#
發(fā)表于 2025-3-23 10:09:01 | 只看該作者
Book 2019flix and Amazon in the?online era. At a time of disruption and change to traditional business models and?industry professions, Roderik Smits argues that gatekeepers remain equally – if?not more – crucial to the distribution and circulation of films in international?markets..? ? ? ? ? ? ?.
12#
發(fā)表于 2025-3-23 14:34:59 | 只看該作者
Book 2019primary?gatekeepers, the book examines the networks in which they operate, how they?operate, how their practices have evolved, and the power and control they exert?over the business of independent film distribution. Critically, it also considers?how they are affected by the powerful influence of Net
13#
發(fā)表于 2025-3-23 19:04:14 | 只看該作者
14#
發(fā)表于 2025-3-24 00:08:59 | 只看該作者
15#
發(fā)表于 2025-3-24 04:09:00 | 只看該作者
16#
發(fā)表于 2025-3-24 07:50:58 | 只看該作者
Erste Hilfeleistung bei Augenverletzungen,ble distribution for a greater range of films. Such new online opportunities for films will be discussed in relation to notions of cultural democratisation, market fragmentation and long tail economics.
17#
發(fā)表于 2025-3-24 11:21:07 | 只看該作者
,Die skroful?se Augenentzündung,-called content aggregators, who enable access for films to VOD platforms. Through a discussion of these various types of gatekeepers, I put several limitations on claims of digital disruption and dis-intermediation.
18#
發(fā)表于 2025-3-24 17:46:51 | 只看該作者
Film Distribution and the Role of Gatekeepers,xert power and control over the sort of access given to specific films. This chapter draws on discussions in Film, Media and Culture Studies to explain why it is important to understand film distribution as a process of gatekeeping.
19#
發(fā)表于 2025-3-24 21:06:58 | 只看該作者
Conclusion,ess for films.?I also?reflect on the evolving nature of the business of film distribution, particularly in relation to notions of disruption and dis-intermediation processes, and I argue for further research about the implications of online forms of access, power and control?through VOD platforms.
20#
發(fā)表于 2025-3-25 02:18:22 | 只看該作者
The Historical Development of Film Sales Marketss markets from the 1960s onwards to analyse how such events have contributed to the construction of a business environment for the sales and distribution community. The chapter also involves a consideration of how the development of sales markets can be understood in analytical terms, and, as such,
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