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Titlebook: Francis Hutcheson: An Inquiry Concerning Beauty, Order, Harmony, Design; Peter Kivy Book 1973 Martinus Nijhoff, The Hague, Netherlands 197

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書(shū)目名稱(chēng)Francis Hutcheson: An Inquiry Concerning Beauty, Order, Harmony, Design
編輯Peter Kivy
視頻videohttp://file.papertrans.cn/348/347691/347691.mp4
叢書(shū)名稱(chēng)Archives Internationales D‘Histoire Des Idées Minor
圖書(shū)封面Titlebook: Francis Hutcheson: An Inquiry Concerning Beauty, Order, Harmony, Design;  Peter Kivy Book 1973 Martinus Nijhoff, The Hague, Netherlands 197
描述THE SENSE OF BEAUTY: A FIRST APPROXIMATION It is generally acknowledged that during the first half of the eighteenth century a profound change was wrought in the theory of art and natural beauty. To this period we owe the establishment of the modem system of the arts. 1 In England, the notion of a separate and autonomous disci- pline devoted solely to art and to beauty came into being through the concept of "aesthetic disinterestedness. " 2 In addition, emphasis in the theory of art shifted from object to subject - from the work of art to the perceiver and critic. Focal point for this change was the sense of beauty which, in concert with the moral sense of the British school, represented a dominant force in Enlightenment value theory. It is Francis Hutcheson who, more than anyone else, can be thought of as the founder and principal spokesman of this philosophical coterie. If the aesthetic sense was instrumental in the transfer of interest, in the philosophy of art, from object to perceiver, the aesthetic and moral senses together were no less important in a parallel transference of value judgment from the rational to the sensate.
出版日期Book 1973
關(guān)鍵詞design
版次1
doihttps://doi.org/10.1007/978-94-010-2454-9
isbn_softcover978-90-247-1545-9
isbn_ebook978-94-010-2454-9
copyrightMartinus Nijhoff, The Hague, Netherlands 1973
The information of publication is updating

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