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Titlebook: Etudes on the Philosophy of Music; Juozas Rimas,Juozas Rimas Jr. Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s) 2024 20

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發(fā)表于 2025-3-28 14:43:23 | 只看該作者
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發(fā)表于 2025-3-28 20:01:13 | 只看該作者
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發(fā)表于 2025-3-29 01:55:53 | 只看該作者
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發(fā)表于 2025-3-29 05:02:30 | 只看該作者
Something About Rhythm,ent poetic composition. Melodic rhythm expresses the true accents of the music. Also, there is a demonstration of the energetic quality of musical movement illustrated by a recording of . by Jean Sibelius (Op. 81, No. 2) for oboe and piano, with the author playing oboe.
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發(fā)表于 2025-3-29 10:02:37 | 只看該作者
The Difference Between Articulation and Phrasing, a phrase are combined or separated. The views of H. Riemann and H. Keller on the difference between articulation and phrasing. Articulatory slurs: . slurs, slurs of phrasing and structural slurs. Articulatory purpose (I. Braudo).
46#
發(fā)表于 2025-3-29 11:57:21 | 只看該作者
The Origin of Music and Its Specific Characteristics (the Historical-Ontological Aspect),, which H. Gadamer defines as a constant hermeneutic movement guided by anticipation of the whole. Without expression, a piece of music is only the potential repository of intonations and a question in suspense awaiting an answer (and this answer is an expression which fulfils the idea of the work).
47#
發(fā)表于 2025-3-29 16:33:29 | 只看該作者
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發(fā)表于 2025-3-29 22:56:24 | 只看該作者
Some Principles of Baroque Aesthetics Which Are Important for Musical Expression,an musicologist G. Daunoravi?ien?, intellectual and affective communication between the orator/music and listener characteristic of the Baroque aesthetic means that not only the former (the addresser) but also the latter (the addressee) participates in the becoming of the work. Mention of other prin
49#
發(fā)表于 2025-3-30 03:01:25 | 只看該作者
Voice and Sound,e Lithuanian folk song . (“O, you little fir tree”); . by the Lithuanian composer J. Indra (1918–1968) and the Lithuanian folk song . (“Green rue”)..Brief discussion of various aspects of vocal quality of sound expression and historical examples: ., ., instrumental obligatos of the arias of cantatas
50#
發(fā)表于 2025-3-30 06:29:54 | 只看該作者
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