Titlebook: Emotions and Contingencies in Conrad‘s Fiction; Yoko Okuda Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive lice

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BUST

Always ‘the Unexpected’: Conrad as discussed in the Introduction, and analyzes the idiosyncratic emotionality of the protagonist primarily in terms of the stressful power of emotion. The first part of this chapter is centered around the key concept of ‘the unexpected’ as a sign of impermanence, and argues that Marlow’s int

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滑稽

Nature, Identity, and Emotions: ve tendencies manifested by the main characters. It raises the universal issue of the difficulty of reconciling one’s personal sense of identity with the consciousness of being part of Nature, indicating that this issue is closely related to the human desire for secure self-identity. The distinguish

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committed

A ‘Pilgrimage of Emotions’: ‘The Duel’h the aggressive hostility of his opponent, Feraud. It examines his shifting emotions and the subtle changes in his emotional and intellectual attitude through a thematic and stylistic analysis, and argues that the threats posed, first to his compassionate attachment to his sister and then to his pa

committed

‘The Feel of the Ship’: ‘The Secret Sharer’n the literal rather than the non-literal level, with an emphasis on the issue of the body. It begins by tracing the intimate non-verbal communication that the captain shares with the stowaway and asserts that such a form of communication emphasizes the potential of the body to communicate and to ex

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