Titlebook: Ezra Pound as Critic; G. Singh Book 1994 G. Singh 1994 Chaucer.concept.Dante.French.Geoffrey Chaucer.Henry James.Italy.John Milton.literar

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Comparative Analysis and Conclusions,defining the various aspects of the art of writing poetry as Ezra Pound. ‘I spend the greater part of my time meditating the arts’, he wrote in 1915, ‘a(chǎn)nd I should find this very dull if it were not possible for me occasionally to solve some corner of the mystery, or, at least to formulate more clea

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ASEM: Partnership for Greater Growth?, Ford Madox Ford. Eliot referred to the masterly nature of Pound’s epistolary style. — a style with its forthright vigour and raciness, matching the provocatively striking nature of what he had to say. Pound himself summed up the secret of his prose style:

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Inter-Religious Models and Criteriar what he translated, and the way he did it, played an important role in his own development as a poet and a critic. By virtue of their creative value and critical relevance, and their close link with his poetry, Pound’s translations occupy a unique place in the history of modern poetry.

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Research Projects of Sapienza University to his having seen so clearly ‘what needed to be said at a particular time’— has been vindicated by the subsequent history and development of literary criticism. And in so far as, of all modern English and American poets and critics, it is Eliot who, perhaps, owes most to Pound, much of what is per

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The Sense of Historical Situation,sums up Pound’s sense of history as well as of the present. In fact, his sense of history was one with his sense of contemporaneity, and his critical insights were partly conditioned by what he considered wrong or unacceptable in the contemporary literary and cultural situation. At the core of his t