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Titlebook: Exploring Transdisciplinarity in Art and Sciences; Zo?‘Kapoula,Emmanuelle Volle,Moreno Andreatta Book 2018 Springer International Publishi

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41#
發(fā)表于 2025-3-28 18:34:00 | 只看該作者
Performative Gesture in the Era of Science Art: , Projectteamed up with French scientists who work on the revolutionary replacement of petrol-based products with the more environmentally friendly bioderived products. As a result in collaboration with them as well as with Interactive Performance Laboratory, the performance, presented at the Garage Contemporary Art Museum in Moscow, had been created.
42#
發(fā)表于 2025-3-28 21:03:06 | 只看該作者
43#
發(fā)表于 2025-3-29 02:12:30 | 只看該作者
44#
發(fā)表于 2025-3-29 03:16:45 | 只看該作者
https://doi.org/10.1007/978-1-349-13090-0ation and style: the chosen common notation will define how the improvisation will follow the reference scenario, where the chosen memories inds and character interacting with this structure. The result can be arresting, surrealistic, kitsch; it is often fun.
45#
發(fā)表于 2025-3-29 10:23:10 | 只看該作者
Creative Brain, Creative Mind, Creative Personreativity is provided. The viewpoint presented in this chapter should motivate investigators to reflect on the creative brain using wide theoretical lenses such as the one offered by the multivariate approach.
46#
發(fā)表于 2025-3-29 15:16:42 | 只看該作者
47#
發(fā)表于 2025-3-29 18:44:45 | 只看該作者
48#
發(fā)表于 2025-3-29 22:36:50 | 只看該作者
Akira Watanabe,Theodore H. Bullock memory, examining the relation of semantic memory structure to creative achievement and fluid intelligence, and relating flexibility of thought to the robustness of their semantic networks to attack. Finally, a general theory relating semantic memory structure to typical and atypical semantic proce
49#
發(fā)表于 2025-3-30 03:43:36 | 只看該作者
50#
發(fā)表于 2025-3-30 05:56:45 | 只看該作者
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