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Titlebook: Exhibiting the Nazi Past; Museum Objects Betwe Chloe Paver Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 museums.exhibitio

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樓主: GLOAT
11#
發(fā)表于 2025-3-23 09:58:07 | 只看該作者
Between the Material and the Immaterial,ers the importance of emotions and mentalities for scholarship on National Socialism, and how these are written into or drawn out of museum objects. And it considers how the life cycle of the object, something shared by all material culture, becomes part of the narrative to be exhibited in exhibitions about the years 1933–45.
12#
發(fā)表于 2025-3-23 16:41:05 | 只看該作者
13#
發(fā)表于 2025-3-23 18:42:25 | 只看該作者
2731-5711 exhibiting the past specifically in terms of the museum objThis book is the first full-length study of the museum object as a memory medium in history exhibitions about the Nazi era, the Second World War, and the Holocaust. Over recent decades, German and Austrian exhibition-makers have engaged in
14#
發(fā)表于 2025-3-24 01:25:48 | 只看該作者
15#
發(fā)表于 2025-3-24 05:16:41 | 只看該作者
16#
發(fā)表于 2025-3-24 06:42:12 | 只看該作者
Palgrave Studies in US Electionsthe Holocaust and their legacies in Germany and Austria today. While one response from exhibition-makers to the topic of the Nazi past has been to use either documents, video testimony or empty space in place of objects, museums have, at the same time, collected many thousands of examples of materia
17#
發(fā)表于 2025-3-24 11:29:58 | 只看該作者
Lea Hagoel,Devorah Kalekin-Fishman modelled across various scholarly disciplines and applies them to the particular case of history exhibitions about National Socialism. It suggests ways in which objects are made to signify within the parameters of what is democratically appropriate and useful in Germany and Austria today. It consid
18#
發(fā)表于 2025-3-24 16:02:33 | 只看該作者
19#
發(fā)表于 2025-3-24 21:34:31 | 只看該作者
20#
發(fā)表于 2025-3-25 00:24:11 | 只看該作者
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