Titlebook: Evolutionary and Biologically Inspired Music, Sound, Art and Design; 4th International Co Colin Johnson,Adrian Carballal,Jo?o Correia Confe

cluster

Echo,tic two and three-dimensional form based on music or sound has been used by various artists, architects, scientists and technicians..The time-based attributes of a sound can be directly transformed into spatial dimensions of the generated form. A two-dimensional example is the visualisation of a sou

canonical

Evotype: Evolutionary Type Design,of line segments, each encoding the shape of a specific character, i.e. a glyph. To simultaneously evolve glyphs for the entire alphabet, an island model is adopted. To assign fitness we resort to a scheme based on Optical Character Recognition. We study the evolvability of the proposed approach as

Hemiparesis

Interior Illumination Design Using Genetic Programming,ination design. The Radiance system is used for performing accurate illumination simulations. Radiance accounts for a number of important environmental factors, which we exploit during fitness evaluation. Illumination requirements include local illumination intensity from natural and artificial sour

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Lichtsuchende: Exploring the Emergence of a Cybernetic Society,a source of energy and a means of communication. Visitors are invited to engage with the installation using torches to influence and interact with the phototropic robots. As well as describing the finished piece, we explore some of the issues around creating works based on biologically inspired robo

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emulsify

Evolving Diverse Design Populations Using Fitness Sharing and Random Forest Based Fitness Approxima way to navigate the space. We have shown that using machine learning on artificial data can accurately predict the viability of chairs based on a range of ergonomic considerations. We have also shown that the design space can be explored using an evolutionary algorithm with the predicted viability

Lamina

Moody Music Generator: Characterising Control Parameters Using Crowdsourcing,re constructed on the basis of existing work on valence and arousal in music, and intended to provide control over those two mood factors. In this paper we conduct a listener study to determine how people actually perceive the various moods the generator can produce. Rather than directly attempting

connoisseur

,: Application for a New Representation Technique and Methodology of Analysis in Tonal Harmony,ange representation. However the Tonnetz does not cover the functional relations between accords within tonality and is feebly suitable to capture the features of neo-tonal postmodern music based on a new use of tonal functionality. This work presents an alternative method for music harmony progress

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Evolutionary and Biologically Inspired Music, Sound, Art and Design4th International Co

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