Titlebook: Envisioning Disease, Gender, and War; Women‘s Narratives o Jane Elizabeth Fisher Book 2012 Palgrave Macmillan, a division of Nature America

可能性

Mohammed Jabreel,Fadi Hassan,Antonio Moreno history. Yet remnants of the 1918 influenza pandemic stubbornly persist, having an afterlife of literary and intellectual contagion, continuing to make visible cultural connections illuminating questions of contradiction and power. Now the silence surrounding the pandemic has been lifted and intere

regale

杠桿支點(diǎn)

Tortuous

Prologue: The 1918 Influenza Pandemic and Modern Memory, and scientific mystery. Paul Fussell begins his 1975 work . by noting “the Curious Literariness of Real Life,… the ways that literary tradition and real life transect and the reciprocal process by which life feeds materials to literature.”. By simply juxtaposing literature and life, he neatly omitt

安定

The ,: Seeing and Remembering the Shock of Modernity,ng woman dressed in mourning. That jolt is the shock of modernity, the perceptual impact of immediate life making the . both a hero and a convalescent, exhilarated and exhausted by the changes overwhelming him.. In “The Painter of Modern Life,” Baudelaire had earlier framed his . as “a convalescent”

遺留之物

Gender and Modernity: The Things Not Named in ,broke in two in 1922 or thereabouts” in the introduction to ., her 1936 volume of essays, further links this time period to fragmentation and rupture from its immediate past.. In an appreciative essay on Cather, Katherine Anne Porter’s description of the postwar period also uses metaphors of destruc

Morbid

教育學(xué)

BILE

,Munro’s “Carried Away” and Voigt’s ,: Ghostly Hauntings, Sublime Eclipses,me has blunted the fear it inspired, making this period less traumatic and more appealing as a subject to more recent authors and readers. A surprising number of twentieth-century writers, such as Wallace Stegner, Horton Foote, Kaye Gibbons, Christina Schwarz, Myla Goldberg, and Kevin Kerr, have fou

Conserve

,The 1918 Influenza Pandemic in the Developing World: Elechi Amadi and Buchi Emecheta’s Occluded Visuenza pandemic; and Emecheta’s sense of women’s vision in . is also increasingly frustrated and limited. By writing ., she fills historical silences surrounding the representation of female African slaves while constructing her own identity as a Nigerian woman writer. One source of Emecheta’s author