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Titlebook: Enacting Lecoq; Movement in Theatre, Maiya Murphy Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spr

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書目名稱Enacting Lecoq
副標(biāo)題Movement in Theatre,
編輯Maiya Murphy
視頻videohttp://file.papertrans.cn/310/309185/309185.mp4
概述Offers a sustained analysis of Lecoq pedagogy.Makes a contribution to the further advancement of interdisciplinary discussions between the humanities and cognitive sciences.Highlights movement, as opp
叢書名稱Cognitive Studies in Literature and Performance
圖書封面Titlebook: Enacting Lecoq; Movement in Theatre, Maiya Murphy Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spr
描述This book examines the theatrical movement-based pedagogy of Jacques Lecoq (1921-1999) through the lens of the cognitive scientific paradigm of enaction. The conversation between these two both uncovers more of the possible cognitive processes at work in Lecoq pedagogy and proposes how Lecoq’s own practical and philosophical approach could have something to offer the development of the enactive paradigm. Understanding Lecoq pedagogy through enaction can shed new light on the ways that movement, key to Lecoq’s own articulation of his pedagogy, might cognitively constitute the development of Lecoq’s ultimate creative figure – the actor-creator. Through an enactive lens, the actor-creator can be understood as not only a creative figure, but also the manifestation of a fundamentally new mode of cognitive selfhood. This book engages with Lecoq pedagogy’s significant practices and principles including the relationship between the instructor and student, identifications, mime, play, mask work, language, improvisation, and movement analysis..
出版日期Book 2019
關(guān)鍵詞Jacques Lecoq; Pedagogy; Actor-creator; Cognitive science; Philosophy; Body; Humanities; Embodiment; Enactio
版次1
doihttps://doi.org/10.1007/978-3-030-05615-5
isbn_ebook978-3-030-05615-5Series ISSN 2945-7297 Series E-ISSN 2945-7300
issn_series 2945-7297
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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,Lecoq’s Mime and the Process of Identifications: Enacting Movement, Selfhoods, and Otherness,rs a cognitive view of ways in which understanding and imagination share the same cognitive mechanisms. This chapter also addresses the pitfalls of neural-centered explanations that may permit Cartesian dualism even in embodied accounts of cognition.
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,Crafting Necessary Temptations and Needful Freedoms: Lecoq’s Actor–Instructor Relationship,freedom and constraint shape the emergence of the actor-creator. She addresses Lecoq’s essentialist rhetoric and practices by not only marking the ways that Lecoq destabilizes them, but also introducing how an enactive view reveals the necessity of creating pedagogical paradoxes to forge an empowered creator.
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