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Titlebook: Emotions and Loneliness in a Networked Society; Bianca Fox Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive lice

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樓主: ACE313
51#
發(fā)表于 2025-3-30 11:21:14 | 只看該作者
Fiona Campbell,Caroline S. Verbeke+. The study uses . the Campaign to End Loneliness (CEL) Measurement Tool to derive its variables for the quantitative insight and identifies two narrative clusters through its qualitative analysis in which loneliness is strategically employed in the contemporary advertisement.
52#
發(fā)表于 2025-3-30 14:32:58 | 只看該作者
ontext of new and emergent communication technologies, it provides a wide range of theoretical and methodological perspectives and will contribute to the re-evaluation of the way we understand and research this contemporary global phenomenon..978-3-030-24884-0978-3-030-24882-6
53#
發(fā)表于 2025-3-30 20:32:01 | 只看該作者
54#
發(fā)表于 2025-3-30 21:08:25 | 只看該作者
Fiona Campbell,Caroline S. Verbekehis chapter contribution considers ways in which emotions manifest themselves in the African Diaspora in post-apartheid South Africa. The four cases emerge out of ethnographic qualitative interviews conducted in Johannesburg among African migrants between July and December 2018.
55#
發(fā)表于 2025-3-31 03:21:34 | 只看該作者
56#
發(fā)表于 2025-3-31 05:15:59 | 只看該作者
57#
發(fā)表于 2025-3-31 11:00:24 | 只看該作者
Emotions of Belonging and Playing Families Across Borders in Sub-Saharan Africahis chapter contribution considers ways in which emotions manifest themselves in the African Diaspora in post-apartheid South Africa. The four cases emerge out of ethnographic qualitative interviews conducted in Johannesburg among African migrants between July and December 2018.
58#
發(fā)表于 2025-3-31 16:05:42 | 只看該作者
59#
發(fā)表于 2025-3-31 20:38:56 | 只看該作者
60#
發(fā)表于 2025-3-31 22:26:24 | 只看該作者
Communication of Loneliness Emotions in the Online Vlogs and Their Moral Valuer lost) subject or experience which resulted in the loneliness. Finally, the attention is paid to the loneliness performance’s possible role in creating a digital culture and making moral sense to existential and difficult subjective experience which is transformed into a digital performance.
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