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Titlebook: Embodied Human–Computer Interaction in Vocal Music Performance; Franziska Baumann Book 2023 The Editor(s) (if applicable) and The Author(s

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發(fā)表于 2025-3-25 03:33:42 | 只看該作者
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發(fā)表于 2025-3-25 07:46:54 | 只看該作者
Embodied Human–Computer Interaction in Vocal Music Performance978-3-031-17985-3Series ISSN 2195-9056 Series E-ISSN 2195-9064
23#
發(fā)表于 2025-3-25 15:01:03 | 只看該作者
Introduction,ts into various experiential domains of the contemporary voice, the book builds on and extends the discourse surrounding interactive music systems such as Holland et al. (2019), and conference proceedings such as the ICLI International Conference on Live Interfaces (2020) and the New Instruments for
24#
發(fā)表于 2025-3-25 19:40:58 | 只看該作者
The Embodied Voice,I present the listener with the ., a perspective that goes beyond the established western European tradition and considers a new type of musical orientation in contemporary vocal art. The first section discusses the nature of the term .. It gives a brief historical outline of how contemporary vocal
25#
發(fā)表于 2025-3-25 21:23:47 | 只看該作者
26#
發(fā)表于 2025-3-26 01:26:42 | 只看該作者
Embodied Interface Performance with Gestural Systems,ystems. Based on the practices of contemporary vocal art, I will discuss the sensor instrument as prop, object and body extension and show how the sensor’s functions or affordances influence mapping strategies. I will show how the composed mapping of functional and communicative gestures together wi
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發(fā)表于 2025-3-26 06:22:01 | 只看該作者
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發(fā)表于 2025-3-26 10:13:59 | 只看該作者
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發(fā)表于 2025-3-26 14:02:59 | 只看該作者
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發(fā)表于 2025-3-26 19:34:53 | 只看該作者
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