Titlebook: Elizabeth Spencer‘s Complicated Cartographies; Reimagining Home, th Catherine Seltzer Book 2009 Palgrave Macmillan, a division of Nature Am

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書目名稱Elizabeth Spencer‘s Complicated Cartographies影響因子(影響力)




書目名稱Elizabeth Spencer‘s Complicated Cartographies影響因子(影響力)學(xué)科排名




書目名稱Elizabeth Spencer‘s Complicated Cartographies網(wǎng)絡(luò)公開度




書目名稱Elizabeth Spencer‘s Complicated Cartographies網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Elizabeth Spencer‘s Complicated Cartographies被引頻次




書目名稱Elizabeth Spencer‘s Complicated Cartographies被引頻次學(xué)科排名




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書目名稱Elizabeth Spencer‘s Complicated Cartographies年度引用學(xué)科排名




書目名稱Elizabeth Spencer‘s Complicated Cartographies讀者反饋




書目名稱Elizabeth Spencer‘s Complicated Cartographies讀者反饋學(xué)科排名

神秘

Yves Biollay,Amel Chaabouni,Joachim StubbeDavid Harvird rightly observes that Spencer’s heroines are almost universally defined by their “pursuit of an elusive .” that inevitably “puts them at odds with a vast, extended southern family” (371).

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Adenosinum monohydrogen phosphoricum (cAMP),nt in the work’s setting, characters, and themes are also echoed in its form: Spencer took an enormous risk in writing a novella rather than a traditional novel or short story, fearing that the “freakish” length might make the manuscript unpublishable (. 318).

壓迫

Inoperable

https://doi.org/10.1007/978-3-662-54192-0he long road had turned a wanderer southward. I rejoiced to see that road was no longer mined and booby-trapped, but broad, smooth, and welcoming” (332). In fact, Spencer chooses to close her memoir with a description of this homecoming rather than to discuss the decade of work that follows it. In t

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urethritis

,“A Sure Terrain”: Spencer’s Mississippi Novels,David Harvird rightly observes that Spencer’s heroines are almost universally defined by their “pursuit of an elusive .” that inevitably “puts them at odds with a vast, extended southern family” (371).

分離

Dysarthria

Humble

,“Radical” Re-Envisionings of Home: ,he long road had turned a wanderer southward. I rejoiced to see that road was no longer mined and booby-trapped, but broad, smooth, and welcoming” (332). In fact, Spencer chooses to close her memoir with a description of this homecoming rather than to discuss the decade of work that follows it. In t