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Titlebook: Electronic Publishing, Artistic Imaging, and Digital Typography; 7th International Co Roger D. Hersch,Jacques André,Heather Brown Conferenc

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51#
發(fā)表于 2025-3-30 08:49:47 | 只看該作者
https://doi.org/10.1007/978-3-642-53232-0equirement for the font production method was that the visual relationships between the design variants used for the different components of directory entries should be precisely controllable over a range of character image sizes. The factors leading to the decision to program the character shape sp
52#
發(fā)表于 2025-3-30 14:35:01 | 只看該作者
https://doi.org/10.1007/978-3-662-30433-4e shows how, starting from a photo or a sketch of an ornamental figure, the designer analyzes its structure and produces the analytical representation of the pattern. This analytical representation in turn is used to produce a drawing which is integrated into a computer-generated virtual scene. The
53#
發(fā)表于 2025-3-30 17:02:21 | 只看該作者
https://doi.org/10.1007/978-3-642-51647-4, by an ensemble of binary material volume elements called vels. In theory, 3D halftoning is basically an extension of the well known 2D halftoning process, as widely used in binary printing applications. In practice, however, the development of 3D halftoning algorithms is strongly related to hardwa
54#
發(fā)表于 2025-3-30 23:31:58 | 只看該作者
55#
發(fā)表于 2025-3-31 04:46:58 | 只看該作者
Diskussion der allgemeinen Geradengleichungndwriting models cannot be applied directly to oriental languages although many handwriting models have been propose for alphabet-based languages. In this paper, we analyze Korean handwritten scripts and parameterize their characteristics. The parameters are used to generate various handwritten Kore
56#
發(fā)表于 2025-3-31 09:01:21 | 只看該作者
https://doi.org/10.1007/BFb00532573D; Alignment; Layout; computer; database; image analysis; modeling; multimedia; online; rendering; tools; visu
57#
發(fā)表于 2025-3-31 09:59:23 | 只看該作者
58#
發(fā)表于 2025-3-31 14:40:41 | 只看該作者
59#
發(fā)表于 2025-3-31 21:17:58 | 只看該作者
60#
發(fā)表于 2025-4-1 00:32:59 | 只看該作者
An object-oriented model for the hierarchical composition of letterforms in computer-aided typefaceel is closely related to traditional type design techniques, it is suitable to serve as a design paradigm for computer aided typeface design systems. The model is not restricted to a certain class of characters. Especially, it may be used for the design of non-latin characters as well.
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