Titlebook: Educational Theatre for Women in Post-World War II Italy; A Stage of Their Own Daniela Cavallaro Book 2017 The Editor(s) (if applicable) an

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Salesian Plays Not Published in ,, woman’s soul). Works discussed include marriage plays by Flora Fornara and morality plays by Caterina Pesci. The chapter ends with a brief summary of the later magazine . and of the development of Salesian theatre after the mid-1960s.

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,: The New Magazine for All-Women Theatre,o the changes taking place in Italian society: marriage as a woman’s choice, but also hinting at the possibility of divorce; women’s leadership in the family; women in the workplace; and the need for forgiveness and solidarity.

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Educational Plays from Other Magazines or Publishers,atic content, adult situations, evil and violent characters, or lack of a specific educational message. The chapter concludes with a brief look at the development of educational theatre after the mid-1960s.

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Where Next for Cultural Business Support?,its lasting influence on twentieth-century educational theatre. Finally, it considers the diffusion of educational theatre publications and performances after the unification of Italy (1861) until the end of World War II (1945).

慢慢啃

J.-W. Vergnaud PhD,J. Bouzon PhDsian women playwrights, Flora Fornara (1902–71) and Caterina Pesci (1906–70), analysing in greater detail Fornara’s . (The mystery villa, 1951) and Pesci’s . (She, the first, 1951) and . (For you, Mum!, 1961).

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Installation of a Health System, woman’s soul). Works discussed include marriage plays by Flora Fornara and morality plays by Caterina Pesci. The chapter ends with a brief summary of the later magazine . and of the development of Salesian theatre after the mid-1960s.