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Titlebook: Education, Narrative Technologies and Digital Learning; Designing Storytelli Tony Hall Book 2018 The Editor(s) (if applicable) and The Auth

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發(fā)表于 2025-3-25 04:34:36 | 只看該作者
https://doi.org/10.1057/978-1-137-32008-7creativity; education; interaction; learning; creativity and education; digital education and technology;
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發(fā)表于 2025-3-25 08:09:46 | 只看該作者
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發(fā)表于 2025-3-25 13:00:28 | 只看該作者
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發(fā)表于 2025-3-25 16:29:57 | 只看該作者
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發(fā)表于 2025-3-25 21:31:17 | 只看該作者
Gender and Representing the Unrepresentable,mework. As will be described in the subsequent chapters, the book’s empirical work and evolving theoretical framework worked effectively together to produce an interactive exhibition and a series of design guidelines for narrative technology to enhance education and learning.
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發(fā)表于 2025-3-26 03:34:45 | 只看該作者
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發(fā)表于 2025-3-26 06:49:54 | 只看該作者
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發(fā)表于 2025-3-26 09:37:44 | 只看該作者
New Realism: Mamet, Mann and Nelsong for creativity with computing through narrative technology in education. As with all DBR models, SCéAL is a working framework, and therefore, it must be adapted and finessed to suit the constraints and exigencies, and exploit the potential and possibilities of any given educational context(s). It
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發(fā)表于 2025-3-26 15:15:45 | 只看該作者
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發(fā)表于 2025-3-26 17:19:48 | 只看該作者
Educational Design with a Capital D,l, 2016). Therefore, the effective deployment and use of narrative technology in education necessitates genuinely principled and participatory engagement by learners/users as co-designers, collaboratively exploring and realising the potential of digital media and storytelling in context. Further, ed
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