Titlebook: Editors Construct the Renaissance Canon, 1825-1915; Paul Salzman Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Shakespear

excrete

Amateurs, Professionals, and the Second Half of the Century,proaches. While an editor like Alexander Grosart exemplifies a late version of nineteenth-century ‘a(chǎn)mateur’ editing, A.H. Bullen is considered as exemplifying a shift towards a more commercial view of the editing process. This chapter also contrasts the editing of Renaissance literature with approaches to the editing of pre-Renaissance literature.

傳染

大范圍流行

Cities’ Sustainability in a Risk-Prone World of Renaissance literature. This is especially the case with Complete Editions, as opposed to the anthologies common in the eighteenth century. Salzman argues that the nineteenth-century editorial tradition as a whole has been neglected, and that Shakespeare editing, while less neglected, needs to b

委托

天真

Digital Urban Networks and Social Media,adventurous nineteenth-century editor, moving between texts that were previously considered to be ephemeral, such as jest-books, and a project like his massive folio Shakespeare edition and his Shakespeare biography. Halliwell’s working methods are analysed in detail, especially his use of scrapbook

隱藏

musicologist

集中營(yíng)

Paul SalzmanFills a traditional gap in accounts of Renaissance canon formation in the nineteenth century.Features an account of Grosart that will prove a signal contribution to the discipline.Sheds renewed light

Intercept

大雨