Titlebook: Ecology and Literature; Ecocentric Personifi Bryan L. Moore Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 America.Am

Introduction

https://doi.org/10.1007/978-3-642-49739-1 “It lacks a symbolic context—excepting that provided by man,” “It has no (verbal) language,” and it “inspires a painfully limited set of responses in ‘nature writers’—.” (66–67). Even as Oates complains that the subject for the genre is “Nature as the self’s (flattering) mirror, but not ever, no, n

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Atreyee Mondal,Nilanjan Dey,Amira S. AshourSpenser’s . and Chaos, Night, Sin, and Death in Book II of Milton’s ., to Pity, Wisdom, and the like in Gray’s “Hymn to Adversity.” Wordsworth initiated the tendency, adopted by fellow Romantics, to personify natural objects (the “dancing daffodils” in “I Wandered Lonely as a Cloud”). Most American

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https://doi.org/10.1007/978-3-322-84291-6d but important point in the intersection of the ancient art of rhetoric and the still-new field of ecocriticism. My account is complete enough to have thrown some light on an overlooked argument-by-trope in the history of ideas and in American literature especially. It is a trope that began, in ess

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Overview: Employing a groundbreaking rhetorical and ecocritical approach, this volume advances personification/anthropomorphism as a means of representing the natural world and arguing for its worth outside of human use.978-0-230-61465-9

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