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Titlebook: Ecodramaturgies; Theatre, Performance Lisa Woynarski Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Ecology.Environment.Jus

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樓主: Fixate
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發(fā)表于 2025-3-23 11:01:44 | 只看該作者
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發(fā)表于 2025-3-23 14:55:02 | 只看該作者
978-3-030-55855-0The Editor(s) (if applicable) and The Author(s) 2020
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發(fā)表于 2025-3-23 18:47:37 | 只看該作者
Book 2020 the context of climate change. It offers a detailed study of the ways in which contemporary performance has critiqued and re-imagined everyday ecological relationships, in more just and equitable ways. The broad spectrum of ecologically-oriented theatre and performance included here, largely from t
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發(fā)表于 2025-3-24 00:27:13 | 只看該作者
2947-6801 amples of practice, providing scholars, students and perform.This book. .addresses theatre’s contribution to the way we think about ecology, our relationship to the environment, and what it means to be human in the context of climate change. It offers a detailed study of the ways in which contempora
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發(fā)表于 2025-3-24 03:49:33 | 只看該作者
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發(fā)表于 2025-3-24 08:53:52 | 只看該作者
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發(fā)表于 2025-3-24 13:07:19 | 只看該作者
Conclusion: Imagining the Future(s),he emergent future scenarios it produced, as a way to encapsulate my theorisation of ecodramaturgies. I also consider the role of failure in ecological theatre and performance, looking to queer failure as a way of continuing to address this work, despite supposed failure and climate emergency.
18#
發(fā)表于 2025-3-24 15:03:13 | 只看該作者
Ulrike Tunst-Kamleitner,Manuela Larcherheresa J. May and Klamath Theatre Project’s . (2014) and Marie Clements’ . (2003), are analysed for their Indigenous ecological thinking. I argue that Indigenous ecodramaturgies can reframe destructive thinking and centre marginalised ecological worldviews and traditional knowledge.
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發(fā)表于 2025-3-24 22:40:31 | 只看該作者
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發(fā)表于 2025-3-25 00:43:00 | 只看該作者
Ralph L. London,Mary Shaw,Wm. A. Wulfecological elements. . (2002) by Osonye Tess Onwueme draws out the intersectional effects of oil extraction in the Niger Delta and the rural women effected. Through these works, I argue that ecodramaturgies can bring to light ecological injustices in theatre and performance.
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