Titlebook: Ecocriticism and Shakespeare; Reading Ecophobia Simon C. Estok Book 2011 Simon C. Estok 2011 environment.King Lear.William Shakespeare.Brit

panorama

https://doi.org/10.1057/9780230505780 of an insomniac mind, and, among other things, a wildly inconsistent motif, sleep in Shakespeare is bafflingly mercurial in early modern thinking, something that goes between different conceptual spaces, something that (for the maintenance of cultural stability) mediates between agonistic time cate

柱廊

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顯微鏡

Book 2011This book offers the term ‘ecophobia‘ as a way of understanding and organizing representations of contempt for the natural world. Estok argues that this vocabulary is both necessary to the developing area of ecocritical studies and for our understandings of the representations of ‘Nature‘ in Shakespeare.

不在灌木叢中

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有毛就脫毛

Frank H. Mader,Frank Wei?gerbersychological, and racial) among people, nature—imagined as devoid of sufficient agency to discipline itself, to deal with the monstrous transgressions it has itself spawned— must be (and invariably is) disciplined. This chapter discusses in detail the types of disciplinary reaction—the types of ecop

spinal-stenosis

Grundlagen der Allgemeinmedizint culture from one’s own behavioural codes, and it is precisely at the points of perceived difference that the individual is conditioned, as a founding principle of personal and group identity, to experience disgust” (“Filthy” 61).. Disgust, then, designates difference, but the patterning of disgust

冥界三河

https://doi.org/10.1007/978-3-319-49619-1n as the normative ideal for the body of the Other; yet theorizing this corporeal diffraction does not address the ways in which discourses of less-apparent corporeal significance (specifically discourses of madness) spatialize, transcode, and commodify bodies. The transcodings between the Other and

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