Titlebook: Early Modern Diplomacy, Theatre and Soft Power; The Making of Peace Nathalie Rivère de Carles Book 2016 The Editor(s) (if applicable) and T

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The Slumber of War: Diplomacy, Tragedy, and the Aesthetics of the Truce in Early Modern Europeatus. It simultaneously involves an end to violence and a continuation of the state of war. I argue that this doubleness haunts the ways in which truces are deployed as plot devices in early modern drama. I show how various authors stage moments of truce making in order to raise issues about the eth

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The Performative Power of Diplomatic Discourse in the Italian Tragedies Inspired by the Wars Againstt, these conflicting relations became a source of inspiration for Italian playwrights who centred some of their tragedies on the relations between Venice and the Ottoman Empire. The conquest of Budapest, the siege of Vienna, the attack of the Famagusta fort in Cyprus and the Battle of Lepanto were t

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The Ambassador as Proteus: Indirect Characterization and Diplomatic Appeasement in , and ,n, the ambassador is not identified solely as an actor but, more interestingly, as a character, as a rhetorical and a structural . for an idea, namely appeasement. At first, he seems to be reduced to an actor, but the word ‘comedian’ means more than performance. It refers to the genre of comedy and

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