Titlebook: Drama: An Introduction; G. J. Watson Textbook 1983Latest edition Macmillan Publishers Limited 1983 drama.literary theory.literature

exceed

https://doi.org/10.1007/978-1-4614-7019-9agree with this assessment. Ibsen can be regarded as the father of modern drama, and even in his own lifetime, especially in the last quarter of the nineteenth century, his European reputation was assured. But this reputation was based, in part, on a misunderstanding of where Ibsen’s true interests

interference

Visual Lunar and Planetary Astronomyhis masterpiece, ., is a profound drama of social change. He is, however, a more ‘open’ dramatist than the other two. That is, Ibsen places a perhaps too insistent emphasis on the intractable nature of the opposition between individual aspiration and social constraints. His views are fixed: his prot

deface

Bumble

描繪

OCTO

Visual Lunar and Planetary Astronomys, for instance, there is no real strain between the religious view of life implied by the presence of the gods and their unalterable laws, and the tragic emphasis on the instability and frailty of man’s life because, though Sophocles in no way indicts the divine powers, he presents them as remote,

Lymphocyte

Outmoded

Chronic

Beckett and Pinter: Empty Spaces and Closed Rooms,stence of God, but ends despairingly, reiterating the word that, as well as any other, describes Beckett’s dramatic landscape, ‘the skull the skull the skull’. When the curtain goes up at the beginning of . (1957) we see a room with two high-up curtained windows, in which the furniture is draped wit

小步走路

9樓