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Titlebook: Doris Lessing; Margaret Moan Rowe Textbook 1994Latest edition Macmillan Publishers Limited 1994 Africa.African.bibliography.edition.fictio

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21#
發(fā)表于 2025-3-25 07:01:48 | 只看該作者
Carbonized Terra: Paradox of Civilizationhe present or the past. Another title for ., the fourth volume in the series, might have been ., for everywhere there are signs that temporal as well as spatial constraints will have to be overcome by Martha Quest. The ‘star’s different time-scale’ (L, p. 386) of which Thomas Stern speaks attracts M
22#
發(fā)表于 2025-3-25 10:58:12 | 只看該作者
Ingunn Fj?rtoft,Tomomi Sudo,Keitaro Itotion in ‘The Sufi Path’ might also be used to describe formal departures in those same novels. . (1971), . (1973), and . (1975), in varying degrees, focus on characters at odds with their societies because of ‘experience of other dimensions’. The novels present the conflicts between one- and multi-d
23#
發(fā)表于 2025-3-25 15:03:17 | 只看該作者
24#
發(fā)表于 2025-3-25 17:52:06 | 只看該作者
Ultrasonic Tissue Characterizations response to her fiction. I have drawn the epigraph for this chapter from ‘The Small Personal Voice’, first published in 1957. In that essay, Lessing’s call for ‘serious criticism’ springs as much from her annoyance at reviews of . and . as it does from her overview of the contemporary British nove
25#
發(fā)表于 2025-3-25 20:21:38 | 只看該作者
26#
發(fā)表于 2025-3-26 04:05:23 | 只看該作者
https://doi.org/10.1007/978-1-349-23622-0Africa; African; bibliography; edition; fiction; knowledge; novel; violence
27#
發(fā)表于 2025-3-26 06:03:58 | 只看該作者
28#
發(fā)表于 2025-3-26 10:30:17 | 只看該作者
Re-entry: ,, and ,, quite lively, intelligent novels. Above all, current British literature is provincial’ (SPV, p. 15). That declaration was made as Lessing was in the middle of writing ., a series that could be labelled neither small nor provincial. Twenty-three years later, Doris Lessing spoke with Christopher Bigsby and declared:
29#
發(fā)表于 2025-3-26 14:30:06 | 只看該作者
30#
發(fā)表于 2025-3-26 20:04:21 | 只看該作者
and cultural negotiations that make Doris Lessing both a maverick and a mainstream novelist. Examining the pull of paternal and maternal biographical and literary identification in Lessing, Rowe relates them to the tensions between the ordinary and the visionary in her fiction.
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