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Titlebook: Documentary and Disability; Catalin Brylla,Helen Hughes Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 blindness.deafness.

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樓主: misperceive
41#
發(fā)表于 2025-3-28 15:58:46 | 只看該作者
42#
發(fā)表于 2025-3-28 19:47:57 | 只看該作者
The Military Marketplace in India, 1850–60s chapter locates the film within the ‘thalidomide documentary’ genre and investigates how this impacts its status as a music documentary about a performer for whom ‘disability is a fact and not a problem’. The representation of the disabled body is examined in the context of the film’s modes of ‘speaking .’ and ‘looking .’ its subject.
43#
發(fā)表于 2025-3-29 02:17:16 | 只看該作者
44#
發(fā)表于 2025-3-29 03:25:48 | 只看該作者
45#
發(fā)表于 2025-3-29 10:41:15 | 只看該作者
Simone Baglioni,Olga Biosca,Tom Montgomeryism and homophobia. Through textual analysis, this work explores how the three stories featuring queer protagonists in the film (. and .) create an independent narrative thread that latently constructs a new subject of enunciation, which could be classified as ‘queer-crip’.
46#
發(fā)表于 2025-3-29 15:04:32 | 只看該作者
Alain Delon, International Man of Mysteryal prerequisites that are sometimes taken for granted in more abstract accounts. In doing so, the authors document some of the challenges that the Interface team faced in negotiating between the often-conflicting demands of the television community, the disabled communities and the production team themselves.
47#
發(fā)表于 2025-3-29 18:23:48 | 只看該作者
Alain Delon, International Man of Mysteryf communities to unify sign language as well as promote it. This chapter analyses these films and reconstructs their contexts from both official and private documents gathered in the archives of Gallaudet University (Washington DC, USA).
48#
發(fā)表于 2025-3-29 20:33:01 | 只看該作者
49#
發(fā)表于 2025-3-30 02:20:04 | 只看該作者
50#
發(fā)表于 2025-3-30 06:10:22 | 只看該作者
Rethinking Ability and Disability in the Work of Johan van der Keukeneotypes. Yet this also incorporated an experiential sense of beauty that has been described by Dissanayake as a form of ‘making special’, extrapolating the extraordinary from the ordinary. It is for this reason that van der Keuken’s work transcends the able/disabled divide and remains relevant today.
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