Titlebook: Docudrama on European Television; A Selective Survey Tobias Ebbrecht-Hartmann,Derek Paget Book 2016 The Editor(s) (if applicable) and The A

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Scintillations

German Docudrama: Aligning the Fragments and Accessing the Past,. In a public ceremony that could be interpreted as a symbolic re-enactment, around 8000 illuminated balloons marked the length of the former wall and were later released in a citywide commemoration, allowing them to rise in the night sky. This public event re-enacting the past in and for the presen

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Polish Docudrama: Finding a Balance Between Difficult and Easy Pleasures,ng freedom and self-determination to Central and Eastern European nations, were decisive in the shaping of a completely new concept of television. Studies of the medium up to the 1990s by Andrzej Kozie? and Jaros?aw Kończak (published in . and .), acknowledge the breakthrough in the political system

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Swedish Docudrama: In the Borderlands of Fact and Fiction,refore need to be set in perspective. This article is a first step in the process of mapping the development of Swedish docudrama, with a survey approach prioritised over detailed analysis. An initial overview of the docudrama discourse and research in Sweden over time is followed by a summary of th

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