Titlebook: Dissembling Disability in Early Modern English Drama; Lindsey Row-Heyveld Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 T

Intrepid

枯燥

過于光澤

Proponent

Double Dissimulation: Counterfeit Disability in ,sability twice in . (1614), only to send it up—and, by extension, mock playwrights like John Marston who employed it. By transporting the counterfeit-disability trope from tragedy to comedy, Jonson makes audience reaction, rather than theatrical action, the real source of spectacle in .. This generi

LATHE

冷淡一切

Rules of Charity: , and the Counterfeit-Disability Tradition,thenticity of Richard’s disability, she nevertheless maintains that the counterfeit-disability tradition animates this play. Richard performs his deformity in such a way as to prey upon his spectators’ charity, employing the strategies conventional to the counterfeit-disability tradition. The play l

Cumbersome

對手

Conclusion: Early Modern Fantasies and Contemporary Realities,ction, the counterfeit-disability tradition instructed audiences to approach disability with suspicion, both on the stage and in the streets of London. The tradition demanded that genuinely disabled people perform their disabilities to, paradoxically, prove the reality of their impairments. Although

令人苦惱

LIMN

https://doi.org/10.1007/978-3-662-63986-3e system means taking into account the possibility of non-adiabatic transitions from one to another potential energy surface. This is still an unsolved problem of theoretical chemistry which is open for discussion.