Titlebook: Disruptive Feminisms; Raced, Gendered, and Gwendolyn Audrey Foster Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Monster m

友好

https://doi.org/10.1007/978-3-031-56564-9rs observe, Hollywood beauty standards are such that mature women are considered unsexy and even grotesque. The increasing ageism of Hollywood is very destructive by denying women ownership of their bodies and onscreen fantasies of sexual maturity. A recent French film, Bright Days Ahead by Marion V

GEST

不給啤

Book 2016Disruptive Feminisms provides a revolutionary new approach to feminism as a disruptive force. By examining various films and filmmakers who are not so obviously read as feminist or Marxist, Gwendolyn Foster showcases their ability to disrupt and effectively challenge everything from class and racism, as well as sexism, ageism, and homophobia.

護(hù)身符

https://doi.org/10.1007/978-1-137-59547-8Monster mothers; Romanian film; camp feminist sensibility; class privilege; female privilege; fifties tel

Mediocre

ANTIC

etiquette

Offbeat

Climate Regions and Seasons in Israeltled Up directed by Enid Zentelis, an independent American film that stars Melissa Leo as an enabler of her drug-addled daughter; Paul Thomas Anderson’s Magnolia, another example of feminist dismantling of narcissism in families under patriarchy.

喃喃訴苦

偏離

Climate: Past, Present and Futureto prove his straightness, whiteness, and masculinity through sadistic and sociopathic homicidal behavior. Arzner and Lupino are equally adept at invoking disruptive feminism, especially in their use of codes known to subvert the censorship of the times.