Titlebook: Displacing Caravaggio; Art, Media, and Huma Francesco Zucconi Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Baroque.art.hu

medieval

Un-Still Life,aravaggio’s works—particularly focusing on the surfaces of bodies, on the skin. This question is then used as a key to understand some longstanding rhetorical devices underlying humanitarian photography. An analysis of a few famous shots and of some lesser-known and less widely circulated images off

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,Pathos, Survival, and “Quasi Immanence”,catastrophic circumstances and the . of the representative models through which suffering and precariousness have taken form in the West over the course of centuries. Humanitarian communications, it is shown, can be conceived of and investigated as a form of “secularization” of Christian iconography

legislate

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周興旺

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Vsd168

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