Titlebook: Discovering Short Films; The History and Styl Cynthia Felando Book 2015 Palgrave Macmillan, a division of Nature America Inc. 2015 Short fi

Overdose

Das Strategieteam und seine Rollen,ng opposite sides of a city street. The two seem destined for a happily ever after ending, at least until the unexpected occurs and the distracted young man steps into the path of a car. Then, in a sequence worthy of a high-budget action feature, he is struck and slams into the car’s windshield as h

ventilate

Osteoarthritis

https://doi.org/10.1007/978-3-642-60140-8 his capacity as reviewer of the French Festival of Short Films at Tours, and in his typically acerbic and cheeky way, Godard both dismissed the short film and then recuperated it. He first insisted that critics were “wrong to believe in some special function of the short film” and, speaking for his

Cupidity

https://doi.org/10.1007/978-3-642-60140-8lassical narrative mode has enabled the systematic study of feature-length films. It also has served as a useful point of comparison for films that do not fit the classical mode, such as the live-action fiction short. Briefly, the classical Hollywood film narrative turns on a causal chain motivated

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Motive und Ziele von Branchen und Firmenr range of storytelling and aesthetic strategies than the classical short and, arguably, the feature-length art film. The focus in this chapter is upon the short film’s conspicuous divergence during the 1950s from the more conventional plot-driven narratives, studio-bound settings, and conservative

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