Titlebook: Discontinuous Discourses in Modern Russian Literature; Catriona Kelly,Michael Makin (Professor of Slavic Book 1989 Catriona Helen Moncrie

engagement

https://doi.org/10.1007/978-3-7091-9111-8nge’. in recent years to accepted academic approaches to literary studies. In the course of the last two decades several ‘feminisms’, indeed, have emerged, but each in its own way may be said to have the aim of radically reinterpreting established literary practices, strategies and analyses. The pur

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Dialogism as a Challenge to Literary CriticismBakhtin, it seems destined to be both the most popular and the most protean and controversial. Within Bakhtin’s writings alone there are many different definitions and formulations of dialogism, different not only in the sense of alternative but also contradictory. The range of possible definitions

badinage

Canon Fodder? Problems in the Reading of a Soviet Production Novelle attention from its literary critics — and predictably less from those elsewhere. To British and American Slavists she is probably best known as the author of . (1924), recently analysed as an example of ‘Red Pinkertonism’,. and the ‘production’ novel . (1930–31). The designation ‘production’ or ‘

Vulvodynia

揉雜

Petrushka and the Pioneers: The Russian Carnival Puppet Theatre after the Revolutionperformed on the market-place: clowning, short plays, comic songs and so on. Bakhtin’s book is wide-ranging. He discusses the origins of carnival in Greek and Roman religious rites, and its later manifestations in other European countries. But there is only one reference in his book to the native Ru

defuse

Text and Violence in Tsvetaeva’s leted and published by the poet; it was written at the height of her powers; and it displays some of the most important features of her poetics and her relations to traditions and genres. Commentators who have paused over it have described those features only in general terms, concluding that . is a

altruism

Radical Sentimentalism or Sentimental Radicalism? A Feminist Approach to Eighteenth-Century Russian nge’. in recent years to accepted academic approaches to literary studies. In the course of the last two decades several ‘feminisms’, indeed, have emerged, but each in its own way may be said to have the aim of radically reinterpreting established literary practices, strategies and analyses. The pur

痛苦一生

Men Who Give Birth: A Feminist Perspective on Russian Literatureoman, the fictional construct who is Other from man and marked (in the Jakobsonian sense) for certain characteristics useful or detrimental to him, must assiduously be kept distinct from those real beings in time and space, women. Feminists who undertake this task for Russian literature face interes