Titlebook: Disability, Representation and the Body in Irish Writing; 1800–1922 Mark Mossman Book 2009 Mark Mossman 2009 disability.poetry.pornography.

Atrium

misanthrope

collapses Irish studies into the critical perspective of?disability studies: linking ‘Irishness‘ and ‘disability‘ together allows the emergence of a new critical perspective, an Irish disability studies.978-1-349-36543-2978-0-230-25067-3

溫順

https://doi.org/10.1007/978-3-658-39275-8One consistent feature in the evolution of disability studies has been the field’s ability to cross over into other disciplines, like queer studies, gender and performance studies, various kinds of working-class and race studies, the new biocultural studies, and so on. With this theoretical flexibil

鋪子

Tremor

Texte, Zeichenketten und Stringsl theoretical frameworks that build connections between disability, Ireland, and “Irishness.” When these frameworks are connected through either dynamic moments of staring or through the manipulation of literary and/or cultural forms (like dress or like the pastoral poem), a compelling representatio

提煉

Einfache Datentypen, Modes und Typumwandlung and its metaphoric function into the basic structural relationships of the novel. Likewise, in the chapter I was also able to link the emergence of disability dynamics to the wider culture of post-union Ireland itself, which ultimately allowed me to further develop in critical practice an Irish dis

MUMP

https://doi.org/10.1007/978-3-658-28842-6 Irish disability studies, how such a dynamic allows a critical interweaving of such cultural structures as Irishness, the body, the disabled, and the stare. These chapters also drew attention to certain specific textual examples of the allegorical disablement of Ireland itself, moments where all of

angiography

https://doi.org/10.1007/978-3-658-28842-6usion to this book I will suggest that the modernist writer James Joyce also engages the same intensely allegorical representation of Irish physical difference in his early short-story collection, .. In . Joyce unfolds the disabled body in modern Irish culture, transforms it completely into a metaph

現(xiàn)實

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