Titlebook: Disability in Comic Books and Graphic Narratives; Chris Foss (Professor of English),Jonathan W. Gray Book 2016 The Editor(s) (if applicabl

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Eindimensionale H?ufigkeitsverteilungen disability so that Bruce Wayne’s character and activities remain recognizable to readers. Second, I examine ., and note that the narrative is driven by addiction and images reminiscent of monsters and freaks. The use of the addiction device in the narrative is an important step toward the recogniti

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https://doi.org/10.1007/978-3-8349-6926-2ftly untangle and analyze how Bechdel’s queerness inflects the memoir, they sideline the shared identity of disability that plays a key role in the comic’s plot and structure. How might not only this strand of identity, but also Bechdel’s embrace of the intersection between queerness and disability

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Introduction: From Feats of Clay to Narrative Prose/thesis, on the interoperation of verbal and visual modalities and the coordination of a refined and specialized vocabulary of panels, word balloons, gutters, and emotive iconography. Via this interplay, comics in their various genres draw on a broad palette of expressive technologies to tell a wide range o

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,“When you have no voice, you don’t exist”?: Envisioning Disability in David Small’s ,illness, disability, or more generally any physical or psychological traits perceived as deviations from the norm. As such, the popular form of “graphic memoir”. is more and more linked to the history of literary illness narratives, and sometimes relabeled “graphic pathography” (Green and Myers). Ia

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