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Titlebook: Digital Shakespeares from the Global South; Amrita Sen Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license

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樓主: 小天使
21#
發(fā)表于 2025-3-25 04:28:18 | 只看該作者
22#
發(fā)表于 2025-3-25 10:16:29 | 只看該作者
Eigentum: Begriff, Inhalt, Arten and accessible form of Shakespeare. The overall result was a circulation of bitesize Shakespeare—a fragmentation that may have lacked coherence but provided a valuable counterpoint to the ‘worthy’, weighty Shakespeare that most South Africans associate primarily with educational curricula.
23#
發(fā)表于 2025-3-25 11:58:14 | 只看該作者
Eigentumserwerb vom Berechtigtening and reading Latin American Shakespeares. This chapter interrogates the global relevance of these websites by taking into consideration the often overlooked history of Shakespeare transmission in Latin America.
24#
發(fā)表于 2025-3-25 17:45:23 | 只看該作者
Introduction: Experiencing Digital Shakespeares in the Global South,mic. To speak of digital Shakespeares in the Global South is to address questions of digital divide. Insufficient bandwidth and access to digital equipment, all factor into how digital Shakespeares are experienced in classrooms and homes.
25#
發(fā)表于 2025-3-25 21:11:42 | 只看該作者
26#
發(fā)表于 2025-3-26 02:40:38 | 只看該作者
Practicing Digital Shakespeare in Latin America: Case Studies from Argentina and Brazil,ing and reading Latin American Shakespeares. This chapter interrogates the global relevance of these websites by taking into consideration the often overlooked history of Shakespeare transmission in Latin America.
27#
發(fā)表于 2025-3-26 04:49:20 | 只看該作者
Einleitung in das Recht des Besitzesation. It considers how online publishing (including open journal systems and open-access publishing), institutional repositories, and digital bibliography make research from around the Globe findable. This chapter examines how the . participates in global Shakespeare studies by making multilingual criticism, editions, and performances searchable.
28#
發(fā)表于 2025-3-26 08:30:44 | 只看該作者
29#
發(fā)表于 2025-3-26 15:15:45 | 只看該作者
Einleitung in das Recht des Besitzesepends on commissions online and who works from any number of physical locations. The digital sphere is now the most important habitation for global Shakespeare, especially in the era of the pandemic of Covid-19. A nomad may not have a place to call home, but they can also lay claim to any cultural location.
30#
發(fā)表于 2025-3-26 17:41:11 | 只看該作者
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