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Titlebook: Digital Platforms and Feminist Film Discourse; Women’s Cinema 2.0 Rosanna Maule Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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發(fā)表于 2025-3-21 18:35:38 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Digital Platforms and Feminist Film Discourse
副標(biāo)題Women’s Cinema 2.0
編輯Rosanna Maule
視頻videohttp://file.papertrans.cn/280/279606/279606.mp4
概述Seeks to interrogate the very meaning of women’s cinema at the complex intersection of digital technology and globalization.Draws on transnational feminism and cyberfeminism.Addresses issues of entrep
圖書封面Titlebook: Digital Platforms and Feminist Film Discourse; Women’s Cinema 2.0 Rosanna Maule Book 2016 The Editor(s) (if applicable) and The Author(s) 2
描述This project offers a critical overview of how online activities and platforms are becoming an important source for the production and promotion of women’s films. Inspired by a transnational feminist framework, Maule examines blogs, websites, online services and projects related to women’s filmmaking in an interrogation of the very meaning of women’s cinema at the complex intersection with digital technology and globalization. It discusses women’s cinema 2.0 as a resistant type of cinematic expression and brings attention to the difficulties inherent in raising and expanding visibility for women’s filmic expression within a global sphere dominated by neo-liberalism and post-feminism. The author pays close attention to the challenges and contradictions involved in bringing a niche area of filmmaking and feminist discourse to the broad and diverse communities of the Internet and global media market, while also highlighting the changing forms of media and feminism..
出版日期Book 2016
關(guān)鍵詞global media; women‘s cinema; globalization; neoliberalism; crowdfunding; network; grassroots; digital dist
版次1
doihttps://doi.org/10.1007/978-3-319-48042-8
isbn_softcover978-3-319-83884-7
isbn_ebook978-3-319-48042-8
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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Conclusions: Women Film Scholars Online, both by individuals and groups or organizations. The purpose is to illustrate the function and the impact of these platforms on feminist approaches to film and within contemporary discussions about global knowledge and new media.
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Book 2016tradictions involved in bringing a niche area of filmmaking and feminist discourse to the broad and diverse communities of the Internet and global media market, while also highlighting the changing forms of media and feminism..
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m. The author pays close attention to the challenges and contradictions involved in bringing a niche area of filmmaking and feminist discourse to the broad and diverse communities of the Internet and global media market, while also highlighting the changing forms of media and feminism..978-3-319-83884-7978-3-319-48042-8
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Erratum to: Women Make Movies on the Web: Digital Platforms as Alternative Circuits,
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https://doi.org/10.1007/978-3-319-48042-8global media; women‘s cinema; globalization; neoliberalism; crowdfunding; network; grassroots; digital dist
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