Titlebook: Digital Entrepreneurship in Sub-Saharan Africa; Challenges, Opportun Nasiru D. Taura,Elvira Bolat,Nnamdi O. Madichie Book 2019 The Editor(s

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https://doi.org/10.1007/978-3-030-28003-1) upon the Nigerian film industry (also known as Nollywood). In exploring the nature of these impacts, the focus will be mainly on the production and distribution (i.e., the general marketing activities) aspects of the value chain. Methodologically, in addition to relying on personal accounts based

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Katalin Ternai,Szabina Fodor,Ildikó Szabóhe problematic question of ‘a(chǎn)uthenticity’. This chapter will focus on how digital technology impacts further on this discourse by challenging the cultural capital that is typically associated with curatorial practice, the gallery, and the marketplace and how digital art practices can challenge notio

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https://doi.org/10.1007/978-3-319-49944-4 technology to improve the activities of farmers in Ghana. In line with this objective, results were obtained from a critical analysis of the content of the websites of the three cases included in the study.

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https://doi.org/10.1007/978-3-319-49944-4urial revolution in the sub-Saharan Africa region. The narratives in this book help readers develop a better understanding of what makes the region unique and the challenges and opportunities the digital entrepreneurship revolution offers.

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The Nature of Corporate Digital Agricultural Entrepreneurship in Ghana technology to improve the activities of farmers in Ghana. In line with this objective, results were obtained from a critical analysis of the content of the websites of the three cases included in the study.

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