Titlebook: Die ?sthetisch-narrativen Dimensionen des 3D-Films; Neue Perspektiven de Markus Sp?hrer Book 2016 Springer Fachmedien Wiesbaden 2016 3D-Fil

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Programmpolitik Zwischen Markt und Moraltal code. This chapter discusses 3D films that demonstrate the transformative capacity of human bodies in digital stereoscopic films with an emphasis on the way presence and proximity, as well as tactile and sensory visual fields, are maintained and reconfigured across these transformations.

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Non-Intercalative Binding to DNA,s on the relationship between the fictional narrative space and the aesthetic three-dimensional space. Thereby she deals with those scenes in particular that have been disregarded by academic discourse so far, but, according to Rubes, need to be characterised as stereoscopic narrative and aesthetic “key scenes” (Hall 2004).

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What’s New in the Plant Cell Cycle?d electronically produced sound is concerned, which are also reflexively dealt with on the level of story. Thus in a range of scenes and sequences a “monocular gaze”—not at least embodied by the one-eyed aliens themselves—is emphasised in contrast to the binocularity of stereoscopy.

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Ulrich Lüttge,David T. Clarksonr narration. In this respect a wider context is taken into consideration: The D3D dispositif that encompasses the development of three-dimensional and stereoscopic images in cinema, home entertainment, medicine, and military since the application of computer technologies in the 1990s.

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Book 2016 den kulturellen und psychologischen Wahrnehmungsmechanismen er?ffnet. Dabei werden dezidiert audiovisuelle M?glichkeiten des "Raumtonfilms" sowohl an klassischen als auch gegenw?rtigen 3D-Filmen kritisch analysiert. Ebenso wird das filmwissenschaftliche Instrumentarium sowie die g?ngige Fachtermino

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The Aesthetic and Narrative Dimensions of 3D Film: New Perspectives on Stereoscopy,long time: Not only that 3D films run incredibly successful with audiences, they are also widely discussed in critical and popular discourses and led to a renewal of the film industry and the modes of production. In addition, academic research in film and media studies, history of technology and soc