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Titlebook: Dickens: Novelist in the Market-Place; James M. Brown Book 1982 James M. Brown 1982 Charles Dickens.Coleridge.dramatist.fiction.novel.real

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發(fā)表于 2025-3-21 16:36:14 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Dickens: Novelist in the Market-Place
編輯James M. Brown
視頻videohttp://file.papertrans.cn/272/271016/271016.mp4
圖書封面Titlebook: Dickens: Novelist in the Market-Place;  James M. Brown Book 1982 James M. Brown 1982 Charles Dickens.Coleridge.dramatist.fiction.novel.real
出版日期Book 1982
關(guān)鍵詞Charles Dickens; Coleridge; dramatist; fiction; novel; realism; Romanticism; Victorian era
版次1
doihttps://doi.org/10.1007/978-1-349-05703-0
isbn_ebook978-1-349-05703-0
copyrightJames M. Brown 1982
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:24:50 | 只看該作者
The Nature of Dickens’s Realismmature novels — the novels from . (1846–8) to . (1864–5) reflect the essential nature of his society, indeed of industrial society as a social type, and this chapter will make some general points about the manner in which Victorian society is reflected in these novels and about the nature of Dickens
板凳
發(fā)表于 2025-3-22 02:26:10 | 只看該作者
,, and the ‘Springing of a Mine’a pauper’s burial ground in one of the most depressed and squalid areas of London, we are directed to one of the chief strands in the novel’s social vision. The first point to note about . is the almost obsessive manner in which through plot, theme, and emblem the novel asserts the necessary connect
地板
發(fā)表于 2025-3-22 07:03:36 | 只看該作者
, — Alienation and the Marketage which touches on many of the chief concerns of the novel. Clennam’s horror at the living conditions surrounding him makes further artistic capital out of the contemporary public health issue. ‘Fifty thousand lairs surrounded him where people lived so unwholesomely that fair water put into their
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發(fā)表于 2025-3-22 22:28:37 | 只看該作者
Conclusionand yet at the same time acutely conscious of his own economic stand in the literary market. Critical demonstration of the market-place nature of society was the chief imaginative motor for the mature fiction and yet these novels were themselves valuable commodities, directed at a specific audience with an expert and practised aim.
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