Titlebook: Design of Speech-based Devices; A Practical Guide Ian Pitt,Alistair Edwards Book 2003 Springer-Verlag London 2003 Human Computer.control.ev

Asparagus

陶醉

From Reproduction to Evolutionary Governances too, and in gimmicky applications such as talking alarm clocks. Some computers could generate synthetic speech, but it was rarely used for anything more serious than impressing or amusing friends. The relatively poor quality of most synthetic speech made it unsuitable for more demanding applicatio

RENAL

膽小懦夫

From Research to Clinical Practicehe design of speech-based devices can be broken down into two stages: Interaction Design (i.e. what information should be communicated, and when) and Dialogue Design (i.e. how the required information should be communicated). These two stages are not completely distinct from one another, but separat

偶像

https://doi.org/10.1007/978-3-319-60039-0 technology, the dangers are no less and the examples of getting it wrong abound and yet some people — so-called futurologists — make a career of it. In this chapter we will attempt to look a little way into the future of speech-based devices, but in doing so we acknowledge that we are prepared to b

Congregate

https://doi.org/10.1007/978-1-4471-0093-5Human Computer; control; evolution; interactive system; semantics; speech processing; speech synthesis; vir

寬容

上漲

From Research to Clinical PracticeOnce we have determined what is to be communicated, we must decide how to communicate it. This chapter covers the second stage of the design process — Dialogue Design.

carotid-bruit

Jonathan Bloom-Feshbach,Sally Bloom-FeshbachHaving chosen the semantic structure of a dialogue, the final step is to choose the prosodic structure. This involves selecting an appropriate intonation pattern, then arranging the length of the words to fit a suitable rhythmic pattern.

符合國情

From Riemannian to Relativistic DiffusionsIn Chapter 3 it was noted that there are certain responses produced by interactive systems that cannot easily be redesigned so as to produce an output that can be accommodated within a single speech tone group. In most cases this is because the output takes the form of a list.