Titlebook: Design Anthropology; Object Culture in th Alison J. Clarke Book 2011Latest edition Springer-Verlag Vienna 2011 Anthropology.Architecture.Ar

institute

Edition Angewandtehttp://image.papertrans.cn/d/image/268348.jpg

和藹

VEN

callous

employor

Materials and Designregory Bateson (1973) in his theory of ‘style, grace, and information’, by Fred Myers (1999) in his analysis of the prototypicality of Aboriginal painting, and by Alfred Gell (1998) in his theory of the indexical logic of manufactured artifacts. Design distinguishes itself from mere things, in the w

財(cái)產(chǎn)

Consuming IKEA: Inspiration as Material Formgh the pursuance of fictional DIY identities in the home (Hartman 2007). In this argument, IKEA is not only a noun but a verb: ‘IKEAization’ we are told is “[...] necessarily a disengagement with the collective sphere, a sense that the most beneficial work is carried out when one is sheltered from,

affluent

‘Erotic Needlework’: Vernacular Designs on the 21st Century Market enormous commercial appeal, the ‘stringi’ and their producers have met with some resistance from official organs of culture, as well as within the community itself. The National Artistic and Ethnographic Commission (Krajowa Komisja Artystycna I Etnograficzna) has refused to grant the crocheted ling

Graphite

Obstacle

The Digital as Para-world: Design, Anthropology, and Information Technologies significant scholarly treatment of technology as a field of cultural inquiry . occurred in derivative academic disciplines (particularly science and technology studies), some of which draw heavily upon anthropological antecedents such as ethnographic practice (e.g. Traweek 1988) and postcolonial cr

綠州