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Titlebook: Defending Culture; Conceptual Foundatio Johan Forn?s Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Cultural Theory.New mat

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樓主: Harrison
31#
發(fā)表于 2025-3-26 23:27:58 | 只看該作者
32#
發(fā)表于 2025-3-27 04:03:19 | 只看該作者
Otília Marrime Farr?o,José Eduardo Alvesthe aesthetic sense is usually implied by terms like ., . or the ., and is often applied in institutional settings. It invites tensions between high and low taste, contrasting fine arts to popular culture and everyday aesthetics. It is also often opposed to the economy; for instance, when cultural and economic capital are discussed.
33#
發(fā)表于 2025-3-27 07:49:20 | 只看該作者
34#
發(fā)表于 2025-3-27 11:51:49 | 只看該作者
Book 2017ing against a series of current challenges. The first part of the book distinguishes four main concepts of culture, presenting their histories, uses, limitations and mutual contradictions, which else often tend to be neglected. The second part scrutinizes neomaterialist and posthumanist critics’ ant
35#
發(fā)表于 2025-3-27 14:43:07 | 只看該作者
The Ontological Concept of Culture as Cultivations chapter presents the historically most ancient “ontological” definition that links culture to cult and cultivation. Its gradual development is traced, and it is also shown how it remains in use today, though some of its aspects seem increasingly problematic, not least its reliance on a rather stiff binary division between nature and culture.
36#
發(fā)表于 2025-3-27 20:12:05 | 只看該作者
The Anthropological Concept of Culture as Life Formlisation of culture into distinct cultures has critical potentials, but it can also reify collective groupings into fixed essences, or develop into a radical relativism undermining any critical or ethical analysis, or instead be combined with an ethnocentric hierarchy of high civilisations and low primitives.
37#
發(fā)表于 2025-3-27 22:52:58 | 只看該作者
38#
發(fā)表于 2025-3-28 03:02:52 | 只看該作者
39#
發(fā)表于 2025-3-28 06:56:18 | 只看該作者
S. Cosciani Cunico,T. Zanotelli,M. Scanziesis 5 underlines that culture is constituted at the dynamic interface of meaning and materiality, which far from fixed and autonomous realms are engaged in an open process of mutual interaction. Signifying practice is truly a making of meaning-in-process. Two complementary spatial models summarise the revised hermeneutic concept of culture.
40#
發(fā)表于 2025-3-28 13:55:52 | 只看該作者
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