Titlebook: Death, Emotion and Childhood in Premodern Europe; Katie Barclay,Kimberley Reynolds,Ciara Rawnsley Book 2016 The Editor(s) (if applicable)

Blasphemy

,‘he nas but seven yeer olde’: Emotions in Boy Martyr Legends of Later Medieval England,hopes and fears for male children in a difficult environment, and encouraged readers to think about boyhood in relation to later life and death. They also reflected on human/divine relations through the inevitable links between any boy martyr narrative and the childhood of Christ.

健壯

擴(kuò)張

領(lǐng)巾

Memorials and Expressions of Mourning: Portraits of Dead Children in Seventeenth-Century Sweden,life, an effect that gave meaning to their children’s short lives. Through memorials, these children continued to play an important role in their family stories, providing consolation to parents during a time that was expected to be sorrowful and full of grief, and standing as symbols of parental love and sacrifice.

使苦惱

Child-Killing and Emotion in Early Modern England and Wales,ty we might have access to in primary sources concerning infanticide, and suggests that individuals occupied multiple subject positions. Emotional reactions to child-killing were complex and variable, and cannot be reduced to a narrative in which premodern harshness was replaced by modern empathy.

modest

青石板

委屈

不容置疑

https://doi.org/10.1007/978-3-476-02879-2ons and areas for further research. It argues that applying history of emotions methodologies to the history of child death not only provides insight into how parents emotionally responded to this phenomenon, but to children’s position in society more broadly.

故意